The new Sony PMW-F3 camcorder is designed for a range of digital production applications — from commercial, documentary, television and feature film production to markets such as education, corporate and government and more.
Moreover, “S-LOG” and “Hyper Gamma” are selected. This allows users to fully benefit from the large dynamic range of the CMOS sensor, so their images during post-production in the same way as custom make a workflow based on film.De recording formats 1920 x 1080, 1440 × 1080, and 1280 × 720 with 23.98/25/29.97p, 50/59.94i and in DVCAM mode, and 25/29.97PsF 50/59.94i. Filmmakers can also benefit from “slow” and “fast” recording, also known as “overcranking” and “undercranking” from 1 to 30 fps at 1920 × 1080 (17 to 30 fps in dual-link mode) and from 1 to 60 fps at 1280 × 720 (17 to 60 fps in dual-link mode).
The PL-mount of the PMW-F3 can both PL-and zoom lenses and is compatible with a variety of cine-lenses such as Cooke, Arri, Fujinon and Zeiss.
The IBC press release was short: “Sony will re-affirm its plan to introduce an ‘Affordable 35mm Camera’ to join the F35 and the SRW-9000PL. The demonstration of an R&D prototype will re-affirm the goal of establishing a 35mm line-up to cover applications from high budget to lower budget production.” Another big sign above the affordable prototype and its 2 Sony Cinealta PL camera siblings (F35 and SRW-9000PL) proclaimed, “It’s a 35mm World.” Absolutely.
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